See the original posting on Boing Boing
Robert Crumb launched Weirdo magazine in 1981. I bought the first issue from the comic book store I worked at in Boulder, Colorado, and it blew my mind. It had comics by Crumb (many people, including me, think Crumb’s work in Weirdo is his best), a selection of incredible illustrations from the late Polish artist Stanislav Szukalski’s bizarre theory about human evolution (Netflix has a new documentary about Szukalski produced by Leonardo DiCaprio), comics by homeless Berkeley cartoonist Bruce Duncan, tracts from the Church of the SubGenius (Weirdo was the first place I came across the Church), and Foto Funnies (starring Crumb and amateur models recruited from UC Davis). I had never seen anything like Weirdo and I instantly fell in love with it, looking forward to every issue.
Here’s the intro, where Crumb describes Weirdo as, “another MAD imitation, another small-time commercial venture with high hopes, obviously doomed to failure.”
Weirdo was partly inspired by MAD, but it really took the look and feel from the short-lived Humbug magazine, launched in 1957 by MAD creator Harvey Kurtzman. (Crumb drew comics for Humbug and became Kurtzman’s friend). Like Humbug, Weirdo had a small circulation (never topping 10,000 copies per issue) even though both magazines were loaded with talent (Terry Gilliam, Wallace Wood, Jack Davis, Al Jaffee, and Will Elder worked for Humbug, and during its 28-issue run between 1981 and 1993 Weirdo ran comics by Peter Bagge, Charles Burns, Daniel Clowes, Kim Deitch, Julie Doucet, Debbie Drechsler, Dennis Eichhorn, Mary Fleener, Drew Friedman, Phoebe Gloeckner, Bill Griffith, Rory Hayes, Gilbert Hernandez, Aline Kominsky-Crumb, John Kricfalusi, Carol Lay, Joe Matt, Diane Noomin, Gary Panter, Harvey Pekar, Raymond Pettibon, Spain Rodriguez, Ed “Big Daddy” Roth, Dori Seda, Art Spiegelman, Carol Tyler, Robert Williams, S. Read the rest